Forms to Preserve Concepts, 2026

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01 Forms to Preserve Concepts. Installation detail. Main staircase
02 Installation view. Ground floor
03 Glazed ceramic detail
04 Installation view. Staircase from the first to the second floor

I still have a few books from my school days.
They’re old and there are lots of underlined passages.
There’s a colour-coded hierarchy. The text is underlined in pencil, with a yellow and with a blue highlighter. Some words are marked in pink, others in orange.

On the first few pages of my books, I used a ruler to underline; later, I just used my hand. The lines become irregular.
It’s interesting to see in the underlining what I considered most important, and to realise as an adult what I actually learnt, what I’ve forgotten and what I didn’t underline.
These lines reveal my determination to learn.

05 Glazed ceramic and painting on concrete
06 Detail from a powder-coated stainless steel figure
07 Installation detail at the third floor. Stainless, ceramic and acrylic on concrete
08 Installation view between first and second floor

I have observed current learning methods amongst primary school pupils in Berlin.
As computers are increasingly used for learning, comments and markings are made in standard formats. The gestures, autonomy and uniqueness of each child’s expression are lost and are limited to the possibilities offered by a keyboard. However, alongside the use of computers, some children also learn through photocopies and workbooks. Here, they have the opportunity to underline, highlight and draw freely.

09 Glazed ceramic detail with the building arcuitecture
10 Detail from the stairs between ground and first floor
11 Installation view at the ground floor
12 Installation view. Third floor
13 View of the staircase installation, seen from below

‘Forms to Preserve Concepts’ is a recreation of learning lines and markings, which represent gestures of a willingness to learn.
The irregular lines and shapes, as well as the handmade quality, contrast with the rigidity and perfection of the architecture in which it is found. This highlights the importance of learning with non-standardized tools and the expressive value of hand-drawn underlines and doodles during the learning process.

This project was commissioned by Berlin Senat and the district of Köpenick and it is part of the “Kunst am Bau” program for art in public architectural spaces in Berlin.

Photo Credits 01 — 13: Alexander Schippel